![](\"https:\/\/companialasoledad.com\/wp-content\/uploads\/2025\/09\/6-sant-cugat.jpg\" "\\"I’d")
<\/span><\/div><\/div><\/div><\/div><\/div>No hay que dar voces (2022)<\/h1><\/div>It came about as a commission from Aina Mercader, curator of <\/span>Volaverunt<\/span><\/i>an exhibition that brought together all of Goya's engravings. The format involved the participation of artists from different disciplines, such as Irene Sol\u00e0, Anna Dot and Marcos Prior. The premiere was in Matar\u00f3 in 2022 and then there were performances in Santa Coloma de Gramenet and Sant Cugat. The objective was in a way to \"fatten\" a possible route of the exhibition, appealing to poetic situations that bordered between reality and fiction, thus generating a limbo for the public. <\/span><\/p>\n<\/div><\/div><\/div>Repercussion<\/h2><\/div>
It came about as a commission from Aina Mercader, curator of <\/span>Volaverunt<\/span><\/i>an exhibition that brought together all of Goya's engravings. The format involved the participation of artists from different disciplines, such as Irene Sol\u00e0, Anna Dot and Marcos Prior. The premiere was in Matar\u00f3 in 2022 and then there were performances in Santa Coloma de Gramenet and Sant Cugat. The objective was in a way to \"fatten\" a possible route of the exhibition, appealing to poetic situations that bordered between reality and fiction, thus generating a limbo for the public. <\/span><\/p>\n<\/div><\/div><\/div>Repercussion<\/h2><\/div>